by J.R. Johnson
Luani scanned the new Symphony Hall with an appreciative eye. After five years of refurbishment, untold cost overruns, and the inevitable discussion of whether art was worth it (in such perilous times), the building was finally complete.
Golden Quebec beech panelling angled through the hall to maximize acoustic reflection; high balcony walls curved like the sides of a ship; and the organ’s massive pipes glittered at the bow of the room. The organist perched in a crow’s nest halfway up to the soaring ceiling, a thin metal rail all that stood between her and empty […]